Author: blogger

Learning to play Guitar Solo Scales can be confusing at first, but once you learn some basic music improvisation techniques and guitar scales, you can solo to virtually any song. Before you try to become an expert at guitar solos, It is important that you have a basic music improvisation exercises understanding of guitar chords, guitar tab and music theory. Mastering the guitar can take years, so diligence is critical. When all else fails, consider taking guitar lessons; you can work one-on-one with an expert who can monitor your skill level and focus on your weaknesses. Here’s Tips On Guitar Solo Scales :
Find a slow song you enjoy that allows room for guitar solos or a song that already incorporates a guitar solo. A good example is “Wonderful Tonight” by Eric Clapton; it incorporates a repeating signature guitar riff and contains a very basic chord structure. A blues or classic rock song is probably best, as they typically follow standard structures and chords.
Determine the key of the Free Jazz Theory song. You can usually find the key of the song at the beginning of any sheet music or guitar tab. If the key is not noted, the key is usually the starting chord of the song. For example, “Wonderful Tonight” starts on G major and is in the key of G major. Remember, this is not true in all cases; however, it is very common in popular music. Learning this step by ear will take extra practice.
If the song is in a major key, locate the relative minor note. For example, “Wonderful Tonight” is in the key of G major, which has a relative minor of E minor. If the song is already in a minor key, for example, C minor (often written Cm or C-), you can omit this step. To figure out the relative minor of the song, refer to the major scale of the key; the sixth note of the major scale is the relative minor root. You can use this simple chart to get started.
Find the relative Guitar Solo Scales minor note on the 6th string (E string). This is your root note and starting point for the minor pentatonic scale. For example, if you are soloing over “Wonderful Tonight,” you would start in the open position or on the 12th fret. If the song was in A major, you would start on the 2nd fret. Keep in mind, this only relates to the first position pentatonic scale and you do not have to start in this position; it is simply a good starting point for beginners. As you advance, you can start your soloing anywhere on the neck.Attempt playing the notes of the Guitar Solo Scales over your song choice. The notes should sound like they blend with the song. The notes can be played in any order, but you will notice it sounds best when the starting note is played in accompaniment with the current chord.Practice the same technique over different songs in different keys and different tempos.Learn every note on the 6th string and attempt to learn all of the notes on every string; it will help you locate the root notes of the scales quickly, increasing your soloing range and speed. It will also help you understand how scales work.Master the first position of the minor pentatonic Guitar Solo Scales before moving on to other scales and nodes. The first position is used most often and it will boost your confidence. In addition, you could never learn another scale and still be able to solo to practically any song with this single scale structure.

Indian Classical Music is all about ragas. A raga portrays a mood, a sentiment, expressed through a microtonal scale. There are a number of ragas, each with its own mood and its own corresponding microtonal scale that is based on the natural harmonic series – the natural law of vibrations.
Today, Indian Classical music is influenced by a foreign tonal system that is not based on the natural harmonic series. This is the Western tonal system that has had a big influence on Indian Classical music. Many Indian Classical musicians, nowadays, make use of Western instruments such as guitar and drums.
Most Western audiences find Indian Classical music to be quite exotic. Two major reasons are the differences between the two traditions in tuning and scales.
The subtle differences
Let’s straightaway delve into the differences between these two vast genres of music to get a better idea:
Indian Classical Music (ICM) is primarily homophonic, which means that it focuses on creating melodies using a sequence of notes, whereas Western Classical Music (WCM) is to an extent polyphonic, which means multiple notes are played/sung together, where the counterpoint, harmony, and texture created using multiple voices is very important.

WCM is composed, whereas ICM is improvised. WCM compositions are formally written using Staff Notation, and performers usually follow that. But in the case of ICM, the Teacher-Student tradition of learning leads to each performance being an improvisation.

ICM uses “Taal”, where Taal is a cycle of beats that is centered on “Sam” that repeats itself. In the case of WCM, there aren’t any complex beat cycles.

WCM is modal and so has a chord for each note of the scale. On the contrary, ICM is tonal and, hence, is based on a single scale (a single drone, chord, and key).
Fusion all the way
But then again fusion is a growing concept in India. So, their differences and some similarities make fusion music even more interesting and challenging. If we take a deeper look, we will actually find a number of similarities. Today, “guitar” has acquired prime position and popularity in Indian Classical Music with Indian Ragas being played on guitar.
There are two types of Guitars that is used for fusion in India: Spanish guitar and Hawaiian guitar.A wide variety and mix of instruments ranging from Guitar, Drums, and Saxophone to Sitar, Tabla, and Flute are used for fusion music/concerts.
My band, known as Kaivalyaa, is also a fusion band, where we fuse various western genres with Indian Classical music. The Western and Indian instruments we use include Guitar, Drums, Keyboards, Mouth Organ, Bass Guitar, Harmonium, Flute, Sarod, Tabla, and a number of percussion instruments. Some of the big names in the Indian fusion scenario are Indian Ocean, Avial, Advaita, Raghu Dixit Project, Mother Jane, Tabla Beat Science, and Bandish Fusion. With varied influences, experiments, scales, tones, and sounds, fusion is the next big thing. So, if you want to know more about the Indian Classical scales/Ragas, you are at the right place.

Rapping Beats

Marketing of your music product (mixed and mastered vocals on Rapping Beats or R&B Instrumentals) is probably the most important part of the music BUSINESS. In this Rap Beats and Instrumentals support article Ill give you an intro in the MASSIVE world of Music Marketing. This article is part of a series on how to become a successful Rapper or Singer. You can view all the articles in this series on the authors page.

You can have the craziest lyrics and the hottest rapping beats and R&B instrumentals in the world, but if no one knows about you and your music, it makes NO difference. You can even have distribution with the biggest distributors in the world. But without proper marketing it wont mean anything. If you dont promote your music heavily, youll get lost in the ocean of rappers and singers that are online and in stores. Ill give you an intro here, but the topic is way to huge to discuss in one article.

Q: Once my song is ready, where and how can I promote it and get it heard?

A: Like I said earlier this is a big subject which cant be explained in a couple of paragraphs. But once you have a fully mixed and mastered song with solid lyrics on a really HOT rapping beat or R&B instrumental, youre ready to get it out there into the world. (Remember, as important as marketing is, music quality still matters). One thing you definitely want to keep doing is constantly learn all you can about Music Marketing. The key is to get AS MANY PEOPLE AS POSSIBLE to hear (to actually listen to) your song. Post your music up everywhere online. Give it to all your friends and tell them to make copies and share it with their own friends. Hand CDs out at clubs and concerts where they play music similar to yours. When youre first starting out dont be afraid to give your music away for free. Yes I said FREE. (well Almost free, the only thing you should ask for in return is the persons Email Address more on this later.) People wont pay to listen to a song from an unknown artist they might not like. They have to trust and like you before they buy from you. Trust me, giving away your music to gain a true fan will PAY OFF in the end.

The next thing to do is get your music on the internet and let the world hear. Upload your music to any music related website you know of. POST IT EVERYWHERE YOU CAN! Some good ones to focus on are iLike, ReverbNation, MySpace (yes MySpace still matters), Last.fm, Jango and BandCamp but the list goes on and on. After that get on social media sites like Facebook and Twitter and socialize with different people tell them about your music! Its important NOT to be annoying and spam people with ads of your music. That is one SURE way to get potential fans to HATE you. (Do you ever click on those kinds of posts? Didnt think so) You have to start or join in conversations and build personal relationships with people. Thats the key to social networking Its hard work, but it WILL pay off.

Another thing you dont want to forget about is having your OWN website it looks professional and will give you credibility as an independent artist. Having a MySpace of Facebook Page is great but you need a HOME your personal website will be your own store-front where you can gather fans. A good solution for this is BandZoogle. You can easily design a professional looking website with them and get your own domain (something like www.YourArtistOrBandName.com). BandZoogle also has a great Mailing List application that will let you collect all your fans email addresses so you can keep in touch with them. This is VERY important. When you give your music away to fans, make sure to get an email address in return and keep them updated on all your new releases. Its much easier to keep old fans (customers) than it is to get new ones! Well this is the longest article in the series so Ill leave it at that for now! Keep learning about Music Marketing Its Important! Hope this helped.

Holla @ ur boy!

DatPaki
Producer/Songwriter
PBE Music

Podcasting is the new thing in broadcasting nowadays. Practically anyone can create his own podcast and make himself known to the world. Perhaps the best thing about podcasting is that it is meant to be free. In addition to that, podcasts transcend the boundaries of traditional broadcasting. You may be from the US but anyone with access to the internet can listen to your podcast. A person may be in Timbuktu and yet have access to your podcast.

Music is inherent to the success of any podcast. It adds spice and flavor to an otherwise bland broadcast. That is why a large pool of resources has been developed by people in the podcasting community. Beginners and veterans a like search for the perfect background music or filler sounds for every podcast they make. So how do you go about looking for that spice?

Despite the freedom provided by podcasting, there are some issues you must address before jumping into the bandwagon and creating your own podcast. Copyright and intellectual property rights have been a main concern in all aspects of broadcasting for some time now and podcasting is not exempt from that. As a result, the term podsafe has come into existence. What exactly is podsafe? This term encompasses any material that may be used for podcasts without violating any copyright or license. A special thing about podsafe material is that the very same material might require some sort of license in other media but totally safe for podcasting. Due to the open community nature of podcasting, many songs, music, and other type of materials are allowed to be used for free exclusively for podcasts. While you might have to acquire the permission of the copyright holder for other broadcasting media, with podsafe material, you can use it freely in podcasts.

Some specific kinds of work are inherently podsafe. Works that fall under the public domain or some works with Creative Commons licenses can be used in podcasts without any issues. They are meant to be used, and used freely.

There are some entities on the web that license music especially for podcasts. Their podcast safe music is generally available to anyone for downloading and for use in free broadcasts over the internet. The only restriction they have is for the user to duly acknowledge the source. Anyone may also post music on their sites as long as the piece of work is totally original.

Some sites make their music available for no fee at all. On the other hand there are sites which promote artists particularly independent ones and charge a small fee for downloading their songs. Notably, these sites also offer labeled artists and are supposed to split the downloading fees with them.

The important thing to bear in mind when looking for podcast safe music is that most of the groups offering materials make them available to the general public for free. The caveat is that your podcast must not be used for commercial purposes. If that is the case, then you will have no problems finding the right track for your podcast.

My first injection of Extreme Metal Music was back in 1985, i was 13 and a Metallica – “Ride The Lighning” cassette crossed my paths (Yes back then that was considered Extreme). I remember being at home alone with my crappy old “Ghetto Blaster” (that ‘ate tapes’) and fascinated at the cool “Electric Chair” cover art, it was at that moment within the first 30 seconds of “Fight Fire with fire” that my life would no doubt be set down a new path and Extreme Death Metal Music would be my fate. I remember being blown-away and scared shitless at the same time. The shear aggression and speed of the music was unlike anything i had ever heard (remember this was 1984 and i was 13 and Def Leppard was about the heaviest i had ever heard) and it was that very song that forever changed my life (thanx James) and led me to investigate this style of music even more. Bands like Slayer, Venom, Possessed and Death became the metal music that “Got me thru the day”

Well, the year is now 2008 and even though Metallica’s “Ride The Lighning” is still one of my top 20 favorite albums of all time, Extreme Metal Music is like drugs, one is too many and a thousand is not enough. The need for faster, heavier, more brutal and intense music dosages becomes the addiction. In today’s world of Extreme Metal Music – Metallica would probably be considered choir boys.

I guess it’s time to talk about what this article is actually about… running an underground Death Metal Record Label. First off, running an underground death metal label like this usually means running it from your parents basement, or if your a grown man who just can’t seem to grow up, your running it from your own basement and are constantly having to remind your wife, “would you rather me be here at home with you wasting all our money, or at the strip clubs wasting all our money). Truth be told probably 90% of Death Metal Record Labels that exist do it for the pure love of the music and do it on top of working 40 – 50 hours a week doing something that actually makes money, and to those who continue to do it while investing their own money and risking their marriages and relationships i raise my Corona and “Cheers You!”… But that’s just what Extreme Metal does to people, there is a devotion to it, there is just this undeniable force that encapsulates you… it’s likebeing in a gang… a really large gang!

I work for a small record label CDN Records, a basement run 2 person operation managing over 2000 Extreme titles in the genres of Death Metal, Brutal Death Metal, Melodic Death metal, Grindcore, Goregrind, Black Metal, Thrash Metal and more. The other person involved again and actually the one who started the label, a grown man like myself in his late 30’s obsessed with metal music in it’s most extreme form and probably the biggest “Death” (the band) fan you will ever meet. He started the label over 15 years ago, originally called “Civilian Death Network”, but after 9-11 it was apparent that we needed to change the name, hence (CDN Records). The label started out mostly as a “Tape Trading” network trading various Death metal bands demos with other Death Metal music fans around the world, and back then without the internet and low-cost’s of producing cd’s the cost involved could bankrupt most people. Most of us doing this tape trading stuff usually spent every last extra penny we had, we begged borrowed and stole just so we could pay for postage.But with the advent of the internet and the ability to manufacture “CD’s” cheap the label was able to evolve into a full-blown record label, signing and releasingbands.

Currently we have over 15 of our own titles, and what we do is trade our titles with other Extreme Labels around the world which increases our distro catalogue. It’s a great system, and its probably the only form a music in the world (that i know of) that operates like this… again reminding me of the bond and devotion to Extreme Music us “Metalheads” have. It’s like there is no competition between all Underground metal labels, we work together to create an even larger network. Its and even better deal for alot of the bands in the Death Metal, Extreme Music genre. We have taken bands who would never have been able to get their music on a cd let alone shipped out and into the hands of metalheads around the world… and that’s a great feeling and what fuels us to keep going.

Although, we first do this for the love of Death Metal music, we definitely work very hard at trying to get “Death Metal Music” to pay the bills. How much better could it get? promoting the music you love and making a living do it…

Tips for staring your own Death Metal Record label:
1. Find a band that you really like and has already recorded their own full-length cd (This saves you money)
2. Sign the band to a simple distribution deal, you press 1000 copies and give the band a few hundred copies (most death metal bands will jump at the chance for this)
3. Get yourself a simple web site and the ability to sell your product online.
4. Spend countless hours surfing the internet looking for other small Extreme Death Metal labels… create a long list
5. Contact all the labels you found online and ask if they do “Trades”, usually trades are based on a point system you’ll figure that out quick.
6. Most labels will trade 3-5 copies to start, trade with 100 labels you now have 300-500 titles to add to your web sites online catalogue
7. Don not take more than 10 copies of any one title… 3-5 at most
8. Promote online, Promote Online, Promote online… forums, blogs, myspace etc etc.
9. Repeat steps 1 thru 7 once you have no more of the original 1000 cd’s you pressed, of the cd traded well press the same release, if you struggled
to get other labels to take it on trade, search for a new band and try again.
10. You will be very lucky to sell more than a few thousand copies of any 1 Extreme Death metal cd, Grindcore cd or Black Metal CD (unless you happy to get lucky enough to sign the next Cannibal Corpse or Cradle of Filth) release so don’t get frustrated, the key is to
build your online catalogue with 1000’s of titles to chose from and enjoy the fact that you are now promoting and selling 100’s of Extreme Metal bands.

For all you Death Metal, Brutal Death metal, Melodic Death metal, Grindcore, Goregrind, Black Metal and Thrash Metal needs, stop on by www.cdnrecords.com